Emergence of Modern Woman: A Study of Anita Desai’s Cry, The Peacock
DOI:
https://doi.org/10.34293/rtdh.v12iS1-Dec.142Keywords:
Self, Tradition, Limits, Prophecy, DualityAbstract
This current paper projects the women’s role, assumptions and her cutoff points in the conventional and man centric culture in India and furthermore how her reactions to every one of those and looks for her Self by carrying on with life as an autonomous woman in Desai’s Cry, The Peacock. Maya, the hero of the novel, weeps for adoration and figuring out in her cold marriage with Gautama. He is the justification behind the misfortune that has occurred in the existence of Maya. His absence of understanding her and his prevailing nature doesn’t respect the longings of Maya. The Male characters in Maya’s day to day existence have carried her into the frenzy and passing. She not entirely set in stone by the male society, her dad, spouse and Pale skinned person, the crystal gazer. Desai effectively sets it as a normally female novel and a novel of reasonableness instead of activity. She features the female issue of keeping up with self-way of life as a singular woman in her novel. Her arising new woman is thoughtful about the situation and is in a conventional society who has the nerve to scrutinize the lack of concern of man. In this way, she decides to criticize and battle against the general acknowledged standards and flows.
Downloads
Published
Issue
Section
License
Copyright (c) 2023 J. Ahamed Meeran
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.