Interrogating the Muteness in Lavanya Sankaran’s The Hope Factory

Abstract

Indian women authors who write in English represent the realities of India in the current Indian literary scene. They have a lot of duties in the literary community. As researchers in anthropology sociologists, novelists, essayists, and travel writers, they carry out their duties with remarkable skill and then assume worldwide responsibility for promoting peace in their capacity as ambassadors. Additionally, they have created the odd contradiction of reading and appreciating how skillfully they address the problems of sexual harassment of women in post-colonial and postmodern contexts, including rape and the exploitation of Indian women in modern society. The autobiography of The Red Carpet novelist Lavanya Sankaran describes her journey from an ordinary lady to a writer. She desired to tell tales in which she would be able to identify the characters.