Vol 13 No S2 -Mar (2026)

Articles

• Marriage As Empowerment and Constraint: Women’s Agency in Jane Austen’s Pride and Prejudice

  Hasika CHK, Sinthu D

  1-4

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• Self-Realization, Feminism, Selfishness, and Moral Conflict in R.K. Narayan’s The Guide

  Naseeba N, S Sherin Fathma

  5-7

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• Breaking The Stigma: A Study of Bipolar Disorder in Preethi Shenoy’s Life Is What You Make It

  B Roja, Pankayar Chelvi S

  8-10

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• Beyond Wings: Identity and Humanity in Maximum Ride: The Angel Experiment by James Patterson

  Aseela S, R Saradha

  11-15

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• Guilt and Redemption in The Kite Runner: A Moral Journey of Amir

  V Vignesh Kumar, S Sherin Fathma

  16-19

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• Tradition and Innovation in Hayavadana by Girish Karnad

  V Karthik, Pankayar Chelvi S

  20-22

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• Human Connection and Empathy in Rabindranath Tagore’s Post Master

  Shifana Safrin M, R Kavitha

  23-26

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• Magical Realism and Supernatural Elements in Beloved by Toni Morrison

  R Kalaiselvan, S Sherin Fathma

  27-30

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• Magical Realism and the Enchantment of Reality in The Night Circus

  P Vignesh, V Parimala Devi

  31-33

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• Tradition Vs Modernity in The Lion and Jewel by Wole Soyinka

  Jaya Prakash N, Pankayar Chelvi S

  34-36

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• Existential, Dehumanization and Rresponsibility in Franz Kafka’s The Metamorphosis

  Yaseen Hatem Obaid, S Sherin Fathma

  37-41

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• Moral Ambiguity and Social Justice: Ethics in the Face of Inequality in Aravind Adiga’s The White Tiger

  K Sindhuja, D Sindhu

  42-44

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• From Margin to Centre: Redefining the Black Adolescent Voice in Angie Thomas’s The Hate U Give

  A Jenifar Prasanna, A Saleth Vensus Kumar

  45-50

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• Trauma and Masculinity in D.H. Lawrence’s Sons and Lovers: A Meninism’s Perspective

  M Aadhila, A Kabilath Begum

  51-53

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• The Portrayal of Psychological Trauma in Agatha Christie’s Murder on the Orient Express: An Analytical Study

  H Haniel Tony, R Soundarya

  54-58

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• The Quest for Belonging in a Globalized World: Cultural Displacement and Identity in Anita Desai’s The Zigzag Way

  S Sanjay, S Vasha Varathini

  59-62

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• Nature as Narrative Force: Human and Non-Human Interconnectedness in The Overstory

  T Pugazharasi, V Parimala Devi

  63-66

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• Gender Politics in Lakshmi Kannan’s The Glass Bead Curtain

  S Sandhiya Priya, K Sankar

  67-70

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• Ending the Cycle: Women’s Choice as Empowerment in Colleen Hoover’s It Ends with Us

  N Srinidhi, D Sinthu

  71-74

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• A Memoir of Healing: Emotional, Spiritual and Cultural Insights in Eat Pray Love

  S Shanmathy, V Parimala Devi

  75-79

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• The Weight of Remembering: Guilt and Trauma in Toni Morrison’s Beloved

  J Fousil Rifaya, Parimala Devi

  80-83

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• The Female Body as a Contested Terrain: Identity, Trauma, and Resistance in Gitanjali Kolanad’s Girl Made of Gold

  A Vasanthi, J Lavanya

  84-88

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• Representation of Draupadi in Chitra Banarjee Divakaruni’s The Palace of Illusions: A Reading

  Joshikamathy A.V, K Sankar

  89-92

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