Asaivootral (Dietary) Practices in Some Sculptures of Thirubhuvanam Kambakareswarar Temple – A Study

திருபுவனம் கம்பகரேஸ்வரர் ஆலயத்திலுள்ள ஓரு சில சிற்பங்களில் அசைவூட்டல் (Animation) நெறிகள் - ஓர் ஆய்வு

  • Jo Kumar Doctoral Research Scholar, Department of Visual Communication, Aelairayad College of Arts, Thiru.Vi.K. Arts College, Thiruvarur
Keywords: Tamil Nadu temple culture, Nature worship, Village deities (Kudaiyars), Thirumurai, Temple art (sculpture & painting)

Abstract

In southern India, particularly Tamil Nadu, a land rich with Hindu temples, people historically regarded nature as divine. They worshipped stones, tools, and objects placed under trees as manifestations of gods. In later periods, devotees began creating sculptures, often preceded by painted depictions, for worship purposes. Researchers note that temples dedicated to local deities (Kudaiyars) and ritual halls began appearing during the 5th–6th centuries CE. Palimpsests of history, Thirumurai hymns, sculptures, and paintings collectively flourished in these temples, contributing to the growth of sculptural and painting arts.

References

Chidambaram Natarajar Temple in History, Volume 1, p.25, Annamalai University, Bavalavizha Publications, 2004
Ramakrishnan, S., World Cinema, p.44, Uyirmai Publications
[Unclear / Incomplete Reference]
Ramakrishnan, S., World Cinema, p.680, Uyirmai Publications
Sculpture Literature, N. A. [Incomplete/unclear text] – discussing traditions, techniques, and interpretations of sculpture in temples
[Unclear / Partially unreadable reference] – mentions studies from 1981 to 1997, covering aspects of sculpture and visual traditions, pp.47–69
Published
2018-07-01
Section
Articles