Prosperous Rhetoric in ‘Naritanai’

  • S. Davamani (Ref.No: 3664/Ph.D.K8/Tamil/Part Time/ Confirm/July 2017/dt:10.06.2019) Ph.D. Research Scholar (Part-Time), Department of Tamil H.H. The Rajah’s College (Autonomous), Pudukkottai (Affiliated to Bharathidasan University), Tamil Nadu, India https://orcid.org/0009-0005-7929-1537
  • S. Amutha Research Advisor – Associate Professor, Department of Tamil Rajah Serfoji Government Arts College (Autonomous), Thanjavur, Tamil Nadu, India (Affiliated to Bharathidasan University), Tamil Nadu, India https://orcid.org/0009-0005-6254-7102
  • A. Senthamaraikanni Associate Professor, Department of Tamil H.H. The Rajah’s College (Autonomous), Pudukkottai, Tamil Nadu, India (Affiliated to Bharathidasan University), Tamil Nadu, India https://orcid.org/0009-0007-9435-369X
DOI: https://doi.org/10.34293/sijash.v13i4.10947
Keywords: Rhetoric, Narrative, Exhortation, Acts of Virtue, Languages of Gratitude, Worldly Speaking

Abstract

A tradition that refers to the octogenarian scriptures beginning with Nārītāna Nāla Krundogai, Nārītāna is stopped by the first eye. Akachuvai Keeumiya Naritana songs proclaim the life, social status, customs and culture of the people of that time. Rhetoric is strong in these songs. It happens and becomes powerful. The Mant who performs or performs such speech becomes a person of superiority and personality in the society. This article explains that Bharathi, who is the foremost among the people who perform such a speech, is explained through beautiful songs.

Published
2026-04-01
Issue
Vol 13 No 4 (2026)
Section
Articles

Copyright (c) 2026 S. Davamani, S. Amutha, A. Senthamaraikanni


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